A Viewfinder Darkly
Phil Northeast is Feature Writer for Photography at 
Stock photography by Phil Northeast is available from Ozimages International
Using Depth of Field in Photography
© Philip Northeast : 9 July 2008
Getting everything in a photograph in focus is not always possible, and not always desirable. This distance from the front to the back of the sharp area is the depth of field, indicating how much of your photograph is in focus.
Shallow depth of Field:
A shallow depth of field highlights part of the scene by giving two distinct areas of the image. This isolates the sharply-focused subject from the blurry indistinct background, leaving no doubt what the photographer considers important in the image. Common examples are portraits where irrelevant background clutter may detract from the image. The classic cases are trees and poles seemingly growing out of people’s heads.
Another use is to pick people out of a group or crowd, by careful focusing and using a shallow depth of field. For example, in a photograph of a President, assign minor officials and Secret Service agents lesser status by showing them out of focus.
There are two main avenues for producing this shallow depth of field; the main method is to select a wide aperture (or smaller f number). The other is using longer focal length, or telephoto, lens that appear effective in reducing depth of field in most situations. However, when taking extreme close ups or macro shots even very short focal length or wide angle lenses have a shallow depth of field.
Telephoto lens and a large aperture produces a shallow depth of field
Maximizing Depth of Field:
Conversely, in landscape photography the intention is to get as much of the scene in focus as possible. To do this, reverse the basic settings used for a shallow depth of field. Use a shorter focal length lens and set the aperture to a small size (or high f number). As a rule of thumb, try to focus at a point in the middle distance to make maximum use of the available depth of field.
Wide angle lens and smal aperture maximises depth of field
Hyperfocal Focusing:
This is
an advanced technique used by serious landscape photographers to use
all of the
depth of field available. The traditional technique uses markings put
on the lens
by the manufacturer. First focus at the furthest point in the scene,
and then
look at the distance indicated by the focusing ring that lines up with
the
selected aperture value on the hyperfocal scale on the lens barrel.
Re-focusing
at this closer (hyperfocal) distance moves the whole depth of field
closer to
the camera. Now more of the foreground is sharper and allows the
farthest point
in the scene to line up with the back edge of the depth of field.
Although
modern lenses have done away with hyperfocal scales, the method does
highlight
making the most of the area of sharpness. In the twenty first century
there is
a wealth of help on the internet for calculating
all you ever wanted to know about
depth of field distances for a wide combination of cameras, lenses,
apertures
and distances to the main subject.